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New features in Final Cut Pro 6 offer more ease of use and flexibility than ever — including expanded format support and deeper integration with the other applications in Final Cut Studio 2.
Apple ProRes 422: Final Cut Pro 6 introduces ProRes 422, Apple’s new post-production format offering uncompressed HD quality at SD file sizes.
SmoothCam: The SmoothCam feature automatically smoothes out shaky shots while preserving standard camera moves like dollies, pans, and zooms.
Deep Integration with Motion 3: Editable Motion 3 master templates let you easily update content without leaving Final Cut Pro. |
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Work more efficiently than ever in the single-window interface, with tools designed to save you time on common tasks such as selecting takes, spotting sound to video, and removing noise from field recordings. Then use a rich palette of audio effect plug-ins, Foley, sound effects, and music to add the perfect creative touch to your soundtrack.
Surround Mixing : Soundtrack Pro 2 makes it easy to create professional surround sound mixes. Use an innovative surround panner to view a dynamic visual representation of how sound is panned in the surround field.
Lift & Stamp : Use the new Lift & Stamp tool to quickly copy a set of effects or EQ characteristics from one clip and apply them to another, or save them as a preset for future use. |
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Easily create 3D motion graphics by extending the 2D tools you already use into 3D space. Drag and drop camera behaviors to dolly, truck, and orbit around a scene or move from layer to layer.
Vector-based Paint Strokes : Use the swipe of a pen to create pressure-sensitive paint strokes, complete with dramatic 3D looks. Choose from more than 150 built-in brush styles, including strokes that look like floating feathers or glowing light trails.
3D Text Behaviors : Build dramatic title sequences with drag-and-drop ease using new 3D text behaviors. Choose from more than 150 built-in text behaviors and use them in 3D space. |
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Tap into the advanced authoring toolset of DVD Studio Pro to create everything from DVD dailies to highly interactive commercial titles — now in both SD and HD. Sophisticated design tools, templates, and transitions offer unparalleled creative freedom.
Author in HD or SD
Showcase your SD or HD content with greater speed, efficiency, and flexibility than ever before. Integrated, scalable H.264 encoding allows you to fit HD content on DVDs using existing drives and media. Go from native HDV to HD on DVD with no recompression from Final Cut Pro. Even create HD DVD versions from existing SD DVD projects. |
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The new interface in Compressor streamlines the encoding workflow. Customize the window layout and toolbar to fit the way you work. Quickly find presets using hierarchical folders.
Expanded format support : Use Compressor 3 to create files for delivery on iPod, Apple TV, the web, DVD, mobile phones, and next-generation Blu-ray and HD DVD discs.
Dynamic video filters : Compressor 3 lets you easily place animated watermarks in your footage by bringing in a Motion project or an alpha channel QuickTime movie. |
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Introducing Color, Apple’s new professional color grading application. Quickly and easily experiment with primary and secondary color grade adjustments for SD, HD, and even 2K projects. Color lets you preview the results — at any resolution — in real time. When you have just the look you want, render at stunning quality and blazing speeds. Color uses GPU-accelerated processing to produce RGB output in resolutions up to 4:4:4 with 32-bit float processing. Color makes it easy for editors to create signature looks for projects ranging from short video pieces to full-length theatrical films.
Intuitive Task-Based Workflow : Color uses a task-based workflow that is organized logically into eight “rooms,” or workspaces, designed to offer streamlined access to just the tools you need. Start with Primary In for foundational grading, then use any other room in any order until you’re ready to render through the Render Queue room.
Accesible Toolset : The tools in Color extend from a familiar Timeline, color wheels, and standard scopes to an intuitive new 3D Color Space scope. Editors will find it easy to use Color because of their experience with Final Cut Pro.
Dramatic Color Effects : Create custom mattes to quickly isolate an object or area in the frame for additional enhancements or effects. Automatically track and adjust your changes over subsequent frames with complete control. To apply advanced effects, just drag and drop to choose from more than 35 professional effects and over 20 looks built into Color.
Cinema-Quality Signature Looks : Create a signature look for a single production or apply a unified look to a series of productions. Get started fast by choosing one of more than 20 looks provided as custom effects in the Color FX Bin, then modify the look and save it for later use.
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Products
FxPlug filters and transitions
